Cover of Fit the Fourth

Fit the Fourth

Horror · 304 pages · Published 2023-10-31 · Avg 3.7★ (6 reviews)

Back in the salt-stung village of Holmswick, folklore professor Anya Pell plans only to clear her late mentor’s cottage. Instead she unlocks a trunk and finds a thin blue chapbook titled Fit the Fourth. Its handwriting seems to shift, its margins are mapped to the marsh—and whenever Anya reads, the rooms feel crooked and the tide runs strange.

Rumors curdle: children slip from their beds, lights wander the flats, and the lighthouse clock can’t keep the hour. With her neighbor, retired coastguard Bram Teague, Anya follows the poem’s trail across rotting boardwalks and weathered bell towers, uncovering a pattern stitched into village memory—and a performance Holmswick may have been rehearsing for generations.

As water rises and the verses tighten their grip, Anya must choose how far she’ll let the poem speak through her before it claims more than time. Fit the Fourth is coastal folk horror about ritual, language, and the peril of giving your voice to a story that wants to be spoken.

Photo of Mara Hollings

Mara Hollings (b. 1986) grew up near the North Norfolk coast, where foghorns and tidal creeks shaped her fascination with folklore. She studied literature and ethnology at the University of East Anglia, later cataloging maritime ephemera for a small museum in Blakeney. Before writing full time, she worked nights as a local radio producer and volunteered with a coastal rescue charity. She lives in Norwich with a partner who repairs clocks and a lurcher that hates the rain.

Ratings & Reviews

J.T. Behr
2025-06-23

Eerie, precise, and salty as a cut on a winter walk. The folkloric structure of the four fits pays off, especially in the way the book toys with voice and witness—Bram Teague stole scenes without ever turning into a caricature. The ending is more of a toll than a bang, which I liked, though I can see why some readers wanted a brighter flare.

Thalia Nwosu
2024-10-29

The way Hollings uses the lighthouse clock—"its brass mouth keeps swallowing the hour"—is the best kind of horror: mechanical, inevitable, intimate. Anya and Bram Teague felt like real people scraping barnacles off the past, and I loved how the marsh maps in the chapbook became a trap and a guide.

The final gathering on the boardwalk is breathtaking. The bell, the borrowed voice, the last line spoken where the land breaks—it's ritual, but it's also grief. I finished and just sat there, listening for water where there wasn't any.

Also, tiny thing: the detail about the trunk's salt bloom around the hinges? Chef's kiss.

El_Capitán
2024-07-18

Atmósfera fría y pegajosa, como niebla en la piel. La historia avanza con calma, pero cuando el poema "Fit the Fourth" empieza a revelarse, no pude soltar el libro. El pueblo de Holmswick se siente vivo y condenado. Le faltó un golpe final más claro, pero aún así me dejó inquieto por noches.

M. Greaves
2024-03-12

Gorgeously written, deliberately paced. I admired the folkloric research and the sense of place, especially the marsh maps and the lighthouse sequences, but I wasn't fully invested until the last third. If you like slow-burn dread with a literary tilt, this will work; if you're after jump scares, maybe not.

sable&salt
2024-02-21

Nothing happens for ages. Pages of tide tables, riddles, and soggy vibes, then suddenly we sprint to an ending that pretends to be profound because it's ambiguous. The poem-as-puzzle shtick wore thin fast. Not for me.

Ivy C.
2023-11-07

This is the kind of coastal horror that gets under your fingernails. Hollings writes brine and rot like a love letter, and Anya Pell is a protagonist I wanted to follow straight into the fog. The imagery of the blue chapbook and that awful bell had me checking the time more than once. Perfect October read.

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