Netanyawho?

Netanyawho?

Historical · 384 pages · Published 2024-11-12 · Avg 3.7★ (6 reviews)

Aging and reticent Jerusalem archivist Liora Carmeli has decided the sealed boxes piled in her Talbiya flat can no longer keep their silence. Inside are campaign schedules, hotel receipts streaked with espresso, and cassette tapes from smoky studios that once shaped the image of a rising politician named Benjamin Netanyahu. When Liora singles out Oren Shafir, a little-known podcaster at The Levant Ledger, to hear the story, no one is more surprised than Oren himself. Why him? Why open them now?

Oren is hardly ascendant. His partner has moved to Berlin, interviews fall through, and the newsroom coffee machine is the only thing that still hisses back. Still, he sees in Liora's invitation a hinge on which his stalled career might finally turn. He accepts a borrowed recorder, a bus pass, and the risk of being consumed by a past the country argues about at every dinner table.

From a cramped editing bay off Jaffa Road to late nights in the King David bar, Liora retraces the years when slogans, bodyguards, and satellite feeds stitched a persona that would dominate ballots and billboards from Caesarea to Washington. Along the way surface the small trades that history demands: a misfiled memo, a rehearsed shrug on Channel 1, a fundraiser in Afula where a promise hardened into policy. As the boxes empty, Oren finds the trail bends toward his own family, to his father's missing service file and a fax sent in 1996 that never arrived. The truth he chases is less a verdict than a map of what a nation chooses to remember.

Aluf Benn (born 1965) is an Israeli journalist and editor-in-chief of Haaretz since 2011. He has covered Israeli politics, security, and diplomacy since the late 1980s, serving as diplomatic correspondent and news editor. His articles have appeared in outlets including Foreign Affairs, The New York Times, and The Washington Post. Benn studied history and management at Tel Aviv University and earned a master's degree in political communication from American University in Washington, D.C. He lives in Tel Aviv.

Ratings & Reviews

Bethany Cole
2025-07-22

For readers of political reportage and media histories who enjoy slow, process-driven narratives, this offers a granular look at how slogans and studio time construct a leader's image. Students of podcast production and archival ethics may also find useful case studies.

Notes for teachers and book clubs: references to terror attacks and military service, scenes of alcohol use, grief, and smear tactics in campaigns. I found the pacing glacial and the lens narrow, so general historical fiction audiences may drift.

Ronen Vargas
2025-06-15
  • Deliberate documentary texture
  • Intimate archival details
  • Limited view of the larger political machinery
  • Oren's family thread resolves obliquely
Leah Mendel
2025-04-09

Beyond the campaign ephemera, the book probes how institutions curate memory and myth. It returns, tellingly, to the line about "a map of what a nation chooses to remember," and lets that idea refract through a misfiled memo, a rehearsal on Channel 1, and a fundraiser where language hardens into law. Thoughtful, occasionally chilly, and ultimately generous to the reader's need for ambiguity.

David Sahin
2025-02-18

I trusted every pause Liora allowed the tape to hold.

She is all reserve and weathered conscience, meeting Oren's fretful ambition and newsroom fatigue with a steady, slightly sardonic patience. Their exchanges in a dim hotel bar and in cramped studios carry a soft electricity, dialogue that inches past performance into confession. With his partner already in Berlin and the coffee machine as his only regular company, Oren's personal stakes never eclipse the archive, but they complicate it in a way that felt true.

Hanna Ruiz
2025-01-05

The structure is a careful braid of interviews, scraps of broadcast, and field notes from an editing booth off Jaffa Road. The prose is unshowy, the chapters clipped; the effect is a slow fuse that stays lit even when the political context recedes. A few transitions jar, yet the design feels earned.

Omer Stein
2024-11-20

A quiet procedural of memory, where an archivist unseals boxes and a faltering podcaster chases echoes, turning receipts and tapes into a tightening timeline. Methodical and unexpectedly humane.

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