Cover of What if Humans had Brains Like Cats?

What if Humans had Brains Like Cats?

Science · 320 pages · Published 2024-10-15 · Avg 2.9★ (7 reviews)

From cultural anthropologist and storyteller Summers, Alicia comes a curious, big-hearted exploration of a delightfully serious question: what if humans had brains like cats? Blending field notes, interviews, and vivid travelogue, this book invites readers to imagine a world remapped by whiskers, scent, and sunbeams, where attention flickers like a tail-tip and entire cities are organized around windowsills, rooftop gardens, and midnight trains. It is packed with tactile details and of-the-moment observations—equal parts science primer and warm companion for anyone who has watched a street cat pick its path and wondered what it knows that we don't.

Summers leads us through feline neuroanatomy with an accessible, sparkling voice. She unpacks the barrel cortex that would make human whiskers (yes, we'd have them) a dominant sense for navigation; the superior colliculus that would bias our attention toward motion; the enlarged olfactory bulb that would turn neighborhoods into overlapping maps of story-rich smells; and the purr, a low-frequency vibration with intriguing links to relaxation and healing. She then layers those findings into daily life. In a cat-brained society, language would skew toward chirps, trills, and clipped syllables; punctuation might evolve into ear-tilt marks and tail-position glyphs; texting would lean on looping gifs of small, meaningful motions. Trending aesthetics would sprout suffixes like knead-core and windowsill-core. A viral meme called sun-mote brainrot would sweep feeds each winter afternoon.

The book moves from Istanbul's Galata and Balat districts—where cats thread between tea glasses and shoe-repair stools—to Houtong Cat Village in Taiwan, the ruins at Largo di Torre Argentina in Rome, and the adobe courtyards of Santa Fe at blue hour. Along the way, Summers talks with Dr. Sibel Yilmaz, a vision scientist modeling motion-biased attention at Bogazici University; a Tucson neuroscientist mapping vibrissae pathways; a Lisbon conductor who times late-night trains to the city's crepuscular rhythms; and volunteers at community cat colonies who demonstrate how overlapping territories can become networks of care.

Architecture and urban planning get a feline retrofit: whisker-safe doorways sized to avoid sensory overload; vertical greenways that favor climbing and vantage; night-friendly lighting that respects the hunt for quiet rather than conquest; library stacks lined in felt, where study happens in dusk-and-dawn bursts. Work and school shift, too, into polyphasic schedules that honor naps as neural maintenance. Meetings shrink into short, intense sprints. Creativity spikes at liminal hours. Social structures tilt toward gentle, semi-solitary intimacy: thresholds become sites of generosity; found families coalesce around shared bowls and shared windows.

With the eye of a traveler and the care of an educator, Summers also traces how our metaphors would change. Grief softens into phrases like curled-into-quiet; desire registers as a low, steady purr that can be felt across a couch. Online, slang shows the fingerprints of instinct—looping play, scent-coded status, algorithmic feeds tuned to shimmer and rustle. The result is a reframing of human values through feline perception: not escapism, but a practical thought experiment that illuminates attention, consent, comfort, and community in the world we actually inhabit.

What if humans had brains like cats is an energetic journey through neuroscience, culture, and design, grounded in data, enlivened by travel and tactile detail, and animated by a simple proposition—that how we sense the world reshapes how we live together in it.

Alicia Summers grew up in Santa Fe, New Mexico, where the night sky was a constant companion and the local library a second home. She studied cultural anthropology at the University of Arizona before working as a museum educator and later as a copywriter for a travel company. After completing an MFA in fiction at Portland State University, she began publishing romantic short fiction in small magazines and literary journals. Her work blends destination settings, slow-burn chemistry, and found family dynamics. A longtime volunteer with literacy nonprofits, she lives in Portland with her partner and a retired racing greyhound named Biscuit. When she is not writing, she is learning Portuguese, collecting vintage cameras, and plotting the perfect night train itinerary.

Ratings & Reviews

Priya Kettle
2025-08-18

I came for the interviews and left feeling talked over by a cutesy chorus.

Summers is a nimble presence on the page, but the persona turns arch whenever the book pivots from the Tucson lab to the streets. The people we meet—scientists modeling motion-biased attention, volunteers tending colony thresholds—get squeezed between riffs about "windowsill-core" and looping gifs as a new dialect.

The science is there, yes. Barrel cortex pathways, purr frequencies, scent maps. But the treatment often feels like scattered treats on a tile floor: tasty, not sustaining, and swept away for another wry aside.

What stings is the emotional flattening. Grief becomes "curled-into-quiet"; desire is a low hum across a couch. The language is pretty, and then it slides off the real texture of those states, polishing them into Instagram moodboards.

By the time the book reaches its city-planning turns—whisker-safe doorways, felted libraries, trains tuned to dusk—I wanted fewer neat metaphors and more friction. The result is charming, occasionally illuminating, and, for me, exhaustingly precious.

Lucía Benítez
2025-07-02

Como rastreadora de temas, Summers es persuasiva: insiste en que "cómo sentimos el mundo cambia cómo vivimos juntos en él". Los ejemplos de lenguaje con chirridos, los glifos de cola y la idea de barrios como mapas de olores sirven para pensar en consentimiento, comodidad y atención compartida.

A ratos, la jerga de memes y estéticas con sufijos distrae, pero la mezcla de neurociencia (vibrisas, bulbo olfatorio, purr) con crónica urbana deja preguntas fértiles para lectores curiosos.

Gavin Ortega
2025-05-21

Reads like The Urban Bestiary meeting The Sound of a Wild Snail Eating; humane, curious, occasionally meandering, with sensory science stitched to sidewalk anthropology.

Janelle Pogson
2025-03-08
  • Clear bits on the superior colliculus
  • Too many asides and cute suffixes
  • Repetitive whisker anecdotes
  • Travel scenes overstay; science threads fray
Tomasz Rykard
2025-01-27

The worldbuilding is delightful and oddly practical. Whisker-safe doorways, vertical greenways, and night-friendly lights aren't just cute; they form a coherent design language that imagines streets, trains, and libraries for motion-tuned attention and scent-rich navigation.

I loved the felt-lined stacks and polyphasic schedules that ratify naps as neural upkeep. The city-as-sensory-instrument framing sings, and the international stops (Istanbul, Houtong, Rome, Santa Fe) give the speculative city a convincing global footprint.

Omar DeLeon
2024-12-15

For collections on design thinking, sensory studies, and humane urbanism. Strong high school and first-year college appeal; group-friendly chapters with built-in discussion prompts about attention and comfort.

Notes for educators: kind portrayal of community cat care, light references to territoriality and nighttime activity, no graphic material. Pair with a local scent walk or a mapping exercise of "quiet places" on campus.

Marina Gohil
2024-11-02

Summers's hybrid structure works best when the lab notes and travelogue click into place: a clear explanation of the barrel cortex, then a stroll through Istanbul where every corner jiggles with motion-biased attention. The prose is spry and image-forward, and the interviews are framed with care.

Still, the pacing wanders. A chapter will crescendo toward olfaction maps and then detour into slangy bits like "knead-core" or the "sun-mote" meme and lose momentum. I liked the accessible voice and the way purr frequencies are grounded in citations, but some transitions feel like hopping from sill to sill without checking the floor plan.

Generated on 2025-08-27 17:45 UTC