Cover of Mountain and Whispered

Mountain and Whispered

Young Adult · 304 pages · Published 2025-07-16 · Avg 3.7★ (6 reviews)

"I don't know what love is. Maybe I've never felt it. The only thing I'm sure of is that when I think about it, it's your voice that breaks through the static." Isha. Rowan. The story of how two frequencies cross.

Rowan has lost his spark for livestreaming field recordings. A fake "ship" his chat invented wrecked onshore: he caught real feelings for the girl, Nova, and now she's sneaking around with his best friend, Dez. Isha has nightmares from the ferry that spun in a sudden squall. Every afternoon she takes the 40 bus to Harborview to visit a cousin whose words come back as a whisper through gauze.

A chaotic birthday under the Ballard Locks. A bottle of cinnamon whiskey and a streamer too drunk to find his ride, asleep in a stranger's rust-red Subaru. A handheld radio, a tide chart, Mount Si before dawn. What better way to make two fault lines meet?

Anna Singh is an Indian-Canadian cartoonist and letterer based in Seattle. Raised in Chandigarh and Mississauga, she studied illustration at OCAD University before apprenticing in a Risograph shop and self-publishing a string of mini-comics about shorelines, radios, and quiet kids. Her work has appeared in small-press anthologies and on The Nib, and she has freelanced as a colorist for several Pacific Northwest studios. When she isn't drawing, she mentors youth at a community arts center and volunteers with a harbor science program, teaching soldering and sketching to middle schoolers. She lives with her partner and an elderly terrier, collects tide charts, and can coax a shortwave set back to life with binder clips and stubbornness.

Ratings & Reviews

Kiera Dumont
2026-01-07

My ledger after finishing
- Seattle maritime setting feels sketched in places, not immersive.
- Stakes soften whenever the livestream fan drama takes over.
- The Mount Si dawn payoff undercuts the earlier storm trauma.
- Harborview scenes carry truth and compassion.

Nolan Bae
2025-12-20

Rowan keeps mistaking volume for honesty while Isha teaches herself to breathe through the ferry noise, and in their halting chats you can hear two good kids learning the difference between attention and care.

Mateo Rios
2025-11-11

Best for readers 14 and up who like contemporary stories about friendship, near-romance, and creative pursuits tied to place. There is underage drinking, a blacked-out night with no harm beyond regret, lingering trauma from a ferry incident, and some online cruelty that stings.

I would hand this to students who connect with audio projects or who loved books that move at a reflective pace. The Seattle backdrop and the radio motifs could pair with a sound-walk assignment, and the dual perspective invites discussion about empathy and boundaries.

Ellis Cordova
2025-10-14

This reads like the tender realism of Sara Zarr meeting the mist-caught hush of Leslye Walton, all filtered through a mic check and a blinking chat window. The vibe is intimate, grounded, Pacific Northwest grey turned luminous.

The craft understands sound. Field recordings are not just flavor, they are how Rowan thinks, how he avoids, how he tries again. The chat logs spar with his conscience, and the ferry squall haunts every beat until the bus rides begin to feel like a metronome ticking Isha back toward herself.

I loved the duets. Not only Isha and Rowan, but also cousin and visitor, streamer and audience, mountain and city. Pauses matter here, and the book gives them room, trusting that a slow inhale is as dramatic as fireworks.

Lines worth underlining, scenes that smell like wet cedar, a sincerity that refuses sarcasm. This is a love story about listening, and it lands its last note with clarity and warmth.

Priya Ahmed
2025-09-01

Alternating first person chapters keep the signal clean. The author cuts in field log fragments and stream chat; those textures make the sound-obsessed premise feel lived in. Pacing fuzzes near the Ballard Locks birthday detour, yet the structure tightens as Mount Si comes into view and the radio motif coheres. A few teen-speak beats ring thin, but the prose sits at a calm, resonant frequency.

Maya Trinh
2025-08-02

This novel hums at the edge of hearing, the way a handheld radio catches a station and then lets it ghost. It keeps tuning toward "your voice that breaks through the static," and that refrain lit up my chest.

Isha rides the 40 bus, counting breaths and light poles. Rowan drifts out of love with the stream even as the chat keeps shipping him. The book threads tide charts, a ferry squall that will not be forgotten, and the clean metal smell of Harborview into a score that feels patient and true.

What stunned me is the tenderness. Rowan's embarrassment after the cinnamon whiskey, the shame that follows, the rust-red Subaru cradle of sleep. Isha's careful visits and the hush of gauze-filtered words. They move toward each other like frequencies that recognize a match and surge.

Seattle weather plays percussion. The birthday mess at the Ballard Locks clanks and hisses. A handheld radio, a backpack pocket map, Mount Si before dawn, the tide teaching them how to wait. Every scene asks, How do you listen without drowning yourself out?

For anyone who has ever thought love might be a signal instead of a lightning bolt, this is a bright beacon. I finished with my heart buzzing, convinced that attention is a kind of devotion and that quiet courage deserves an ovation.

Generated on 2026-01-20 12:03 UTC