Cover of Beyond the Realm

Beyond the Realm

Fantasy · 392 pages · Published 2025-09-12 · Avg 2.4★ (5 reviews)

Iris Kade, part-time barista and reluctant gate-walker, is just trying to finish her senior term in Greybridge. After sealing rifts beneath the Old Salt Subway and surviving run-ins with glass giants and tax-collecting wraiths, Iris thinks she's earned a quiet semester at Northgate Institute, where lab time beats sword time.

Unfortunately, the Realm has other plans. The Ministry of Thresholds informs her that if she wants sponsorship to the Aureline Collegium—the only university that trains licensed bridgekeepers—she must complete three sanctioned deeds and earn three letters of passage from the Courts. Deadlines, rubrics, and monsters: her least favorite combination.

First up is Valen of the Moon Court, a fastidious steward whose Lustral Chalice has gone missing from the Silver Pantry. One sip from the chalice can wash a mortal clean of limits—granting them night-sight, tide-speech, and an immortal's calm—and the Moon Queen will raze a borough if it appears in the wrong hands. With a fox-eared courier named Jax, a practical engineer, Tamsin Reeve, and a bog-witch-in-training, Sila, Iris must chase the trail through the Hollow Market, the Museum of Broken Weather, and a ferry of mirrors on the Sable River. But if they find the chalice, will they be able to ignore what it promises—especially to someone who secretly longs to never be afraid again?

With sly banter, found-family warmth, and a toolbox of folklore that includes paper labyrinths and brass-born storms, this stand-alone adventure welcomes new wanderers while rewarding long-time travelers with Easter eggs tucked behind every threshold.

Sarah Jones is a British-American fantasy writer and former map librarian. Born in 1987 in Cardiff, she studied folklore and book history at the University of St Andrews, then worked in the British Library's Maps Reading Room before moving to Portland, Oregon, in 2013. Her debut, The Cartographer's Ward (2017), was followed by The Weather Museum (2019) and Paper Labyrinths (2022). She was shortlisted for the 2020 British Fantasy Award for her novella Drowned Bells and has contributed essays on urban folklore to literary journals on both sides of the Atlantic. When not drafting alt-city adventures, she volunteers with a youth book festival, collects 19th-century almanacs, and hikes with a rescued greyhound named Lumen.

Ratings & Reviews

Noor El-Badri
2026-01-15

I appreciated the book's tug-of-war between ambition and safety, and the way the chalice tempts with a promise to "wash a mortal clean of limits." The idea that courage is not the absence of fear but the choice to act could have landed harder. Scenes often tell me the lesson instead of letting it accrue through consequence. Found-family warmth is present, yet the bureaucracy satire undercuts the awe, leaving the finale thoughtful but muted.

Jae Park
2026-01-02

Greybridge is a magpie's trove, with paper labyrinths folded like transit maps, brass-born storms coiling over the Sable River, and a ferry of mirrors that steals your posture. I enjoyed the Ministry of Thresholds bureaucracy rubbing shoulders with witch apprentices and market hucksters, yet the rules around what the chalice can and cannot do blur when it matters, and the Moon Queen's threatened reprisal feels distant rather than immediate.

Priya Menon
2025-12-11

Iris is messy in a way I usually love, but her inner conflict about fear mostly repeats the same notes from scene to scene. The sponsorship deadline keeps her moving, yet her growth comes off as completing assignments rather than a change of heart.

Jax is all quip and ears, Tamsin all pragmatism, and Sila radiates kindness, but their chemistry rarely deepens beyond mission chatter. Valen, meant to be a hinge between Courts and mortals, stays so fastidious he never surprises.

Tomasz Grzelak
2025-10-05

Northgate scenes simmer with lab detail while Iris narrates in a brisk first person that favors lists and quick jokes; the tone lands more sitcom than saga. The set pieces are imaginative, but the connective tissue between them feels thin, so the novel reads like three quests stapled together rather than a single arc. Still, the language has spark in odd corners, especially when the Ministry memos clash with Hollow Market patter.

Maya Linton
2025-09-20

A clever premise and quirky errands collide with stop-start pacing as Iris zigzags after the Moon Court chalice through checkpoints and chores that sap urgency.

Generated on 2026-01-19 12:08 UTC