Cover of Beyond the Ocean

Beyond the Ocean

Graphic Novels · 240 pages · Published 2024-06-18 · Avg 4.3★ (6 reviews)

From the creator of the indie webcomic Tide Mark comes a salt-crusted contemporary middle grade graphic novel about bold girls, sea-swept secrets, and found family, set along the foggy Northern California coast. Perfect for fans of "Paper Girls" and "Lightfall". In the rumor-heavy harbor of Tidelock, twelve-year-old Zara Patel speaks to others the only way that makes sense to her—radios. She archives call signs, fixes busted walkie-talkies at the Old Starling Cannery, and dreams of joining the Coast Guard watch one day. But her plans for relaying weather alerts, dock birthdays, and practice maydays capsize when a crackling burst from her homemade transmitter is blamed for awakening the Drowned Bell—an eerie signal smugglers use to shroud Far Lantern Lighthouse in static. Suddenly ferries miss the channel, tide clocks vanish from shop windows, and Zara is labeled a wave-thief.

Determined to clear her name, Zara follows a trail of coded buoy blinks, grease-pencil notes, and abandoned vacuum tubes to Breaker's Spine jetty. A chance run-in behind the rusted shrimp trawler Coral Jane introduces her to the Brine Brigade, a scrappy crew of girls who live on a retired ferry and build machines from flotsam to keep the bay clean. Led by skiff-racing mechanic Juniper Reyes, with coder twins Mei and Lin Chow and soft-spoken diver Noor Al-Khalid, the Brigade has been chasing whispers of the Gray Eel, the broker behind the Bell. As Zara climbs rooftops to tune antennas, deciphers sea shanties woven into weather reports, and learns to trust the mess-table truce, she discovers that real connection travels farther than any frequency. Can she triangulate the truth, save Far Lantern, and claim a place on the water she loves—or will the Gray Eel cut her voice to static forever?

Anna Singh is an Indian-Canadian cartoonist and letterer based in Seattle. Raised in Chandigarh and Mississauga, she studied illustration at OCAD University before apprenticing in a Risograph shop and self-publishing a string of mini-comics about shorelines, radios, and quiet kids. Her work has appeared in small-press anthologies and on The Nib, and she has freelanced as a colorist for several Pacific Northwest studios. When she isn't drawing, she mentors youth at a community arts center and volunteers with a harbor science program, teaching soldering and sketching to middle schoolers. She lives with her partner and an elderly terrier, collects tide charts, and can coax a shortwave set back to life with binder clips and stubbornness.

Ratings & Reviews

Owen Faraday
2025-11-20

As a character study, Zara shines because her voice literally speaks in channels. The radio logs, the way she collects call signs, and her cautious reach toward the Brine Brigade make every exchange feel earned, especially when Juniper's speed, the Chow twins' code-play, and Noor's quiet resolve pull her into a wider circle.

Some beats pause to let trust build, and those pauses matter. The result is a team you believe in long after the static fades.

Claudia Perales
2025-06-09

Librarian take: ideal for grades 4–8, especially readers drawn to STEM tinkering, coding, and team dynamics. The nautical lingo is supported by context clues, and peril is present but not graphic, centering on fog, currents, and lost signals rather than injuries. Great companion for fans of Paper Girls' friendship puzzles and Lightfall's cozy-quest vibe, plus an easy springboard for lessons on radio waves, Morse, and environmental stewardship.

Marina Osei
2025-03-17

Worldbuilding here is a salty marvel. Tidelock's rumor economy, the eerie etiquette of the Drowned Bell, ferries missing the channel, tide clocks disappearing, and a lighthouse wrapped in static create a living system of signals and consequences. The Brine Brigade's flotsam machines feel plausible, patched together with care and a maker ethos that turns the retired ferry into a community laboratory.

It reads like weather moving in.

Lena Whitaker
2024-10-01

On the craft side, the book leans into clear staging and a fog-muted palette that suits Tidelock's chill mornings. The paneling favors generous gutters that let the colors breathe; sound effects for static sit lightly so dialogue stays legible.

I loved how spreads toggle between the cannery's workbench chaos and the Brine Brigade's ferry deck, using antenna lines and ropes as visual guides. One early action page near Breaker's Spine reads a touch busy, but the storyboarding recovers fast, and the final sequences around Far Lantern lighthouse are paced with confident beats.

Sanjay Carr
2024-08-12

A tight coastal mystery where a blamed broadcast pushes Zara from cannery benches to Breaker's Spine and back again. Smart clues, brisk stakes, and a satisfying lighthouse payoff.

Iris McLeod
2024-07-05

Salt and static in my ears, and my heart cheered for this story! Fog, gulls, and the Old Starling Cannery stitch together a place you can almost smell. Every panel hums like a tuned antenna.

What got me most was the signal-versus-silence theme. Zara keeps trying to be heard in the language she trusts, and the book keeps whispering that "connection travels farther than any frequency". I felt that in the way weather reports hide shanties and in the way the bay answers back.

Found family absolutely sings here. The Brine Brigade is messy, resourceful, generous, and their ferry feels like a haven lit by soldering sparks. Juniper, the Chow twins, and Noor do not just help Zara; they let her help them, which matters so much.

The tactile details delighted me. Call signs, grease pencil notes, vacuum tubes, tide clocks vanishing from windows, even the squeal of a homemade transmitter blamed for the Drowned Bell, all of it threads into a mystery that feels handmade and brave.

I finished buzzing with joy and salt on my lips. Give me more stories about girls building, listening, and refusing to be cut to static!

Generated on 2026-01-03 20:36 UTC