Glimmers of the Gossamer Gate

Glimmers of the Gossamer Gate

Fantasy · 416 pages · Published 2024-03-12 · Avg 4.7★ (6 reviews)

Kathryn T. Featherstone conjures a lush and disquieting fantasy of silk, secrets, and hungry miracles. In the wind-battered harbor city of Dentrelle, every child is warned never to stray into the glimmer-fog along Marigold Quay, where the gulls go quiet and gullies shine like threads. Isola Peregrine, a stage illusionist with a brass thimble charm and a pocketful of moth-ash, learned that lesson too late when her mother vanished there, leaving only a skein of pale filament snagged around a lamppost on Tarragon Street and a whispered name: the Gossamer Gate.

Years later, a storm tears the roofs from the dyehouses and unseams the ground beneath the Arachneum Theater, exposing a vaulted arch woven from something not-quite silk, not-quite bone. The Gate opens only in the corner of the eye and closes on screams. Baroness Elodie Voisard hires Isola to brave it and retrieve her heir, Lucien, who stepped through during a masquerade and did not return; she presses a silver needle into Isola's palm and offers a fortune that feels too heavy to be clean. Esmond Sallow, a quiet scholar from the Sunken Seminary, insists on accompanying her with a leather satchel of hex-twines and a book sewn shut. Dentrelle begins to change: window boxes erupt with glassy creepers that drink dew the color of old blood, orchards fray into lace, and people wake with spider-fine filaments braided through their veins, humming names that aren't theirs.

Within the Gate lies a night-country stitched from memory—gardens that bloom with unspoken promises, a river of ribbon snagged with wedding rings, a lighthouse made of pinned butterflies—and the truth that the Baroness's heir was not the only offering. Someone in Dentrelle has been feeding the portal for years, trading bodies for favors, and the Gate has learned to hunger all on its own. If Isola can read the weave of the city—its knots of debt, its loops of love, its loose ends of grief—she might rethread what was torn. But the loom on Blacksalt Firth is missing a single, bright strand: the one tied to the night her mother disappeared. To unknot the murders strangling Dentrelle and quiet the blooming horror that is making gardens of people, Isola must choose whether to close the Gate forever or step fully into it and let it finish weaving her into its pattern.

Featherstone, Kathryn T. grew up on Maine's ragged coast, where foghorns and salt marshes seeded a lifelong fascination with liminal places. She studied folklore and environmental humanities at the University of Edinburgh, then worked as a botanical illustrator and adjunct lecturer before turning to fiction. Her stories often braid ecology with myth, exploring how landscapes shape the people who survive them. She lives in Olympia, Washington, with a rescue greyhound and too many pressed ferns. Previous novels include The Sky-Thread Map (2019) and Emberglass Orchard (2021), and her short work has appeared in several fantasy anthologies. When not writing, she volunteers with native plant restoration projects and carves tiny boats out of driftwood.

Ratings & Reviews

Jamal K. Raines
2025-10-28

Recommend to readers who savor atmospheric fantasy with ethical tangles and a strong sense of place, especially those who like stagecraft and strange ecologies. Light swearing, recurring body horror in the form of filaments under skin, transformations into botanical lace, references to murder, and persistent parental grief suggest a 16+ audience. Great for book clubs that enjoy discussing choices with costs.

Elinor Preece
2025-06-09

What moved me most is how debt, love, and grief are literally knotted, how a city becomes a textile that remembers its makers, and how a choice can rethread harm or tighten it. The book takes the idea of "a night-country stitched from memory" and treats it not as a spectacle but as a moral argument about who gets woven in, who is bartered, and who learns to cut.

Gabriel Montoya
2025-02-17

Dentrelle feels salt-scoured and haunted by industry, from Marigold Quay's glimmer-fog to the Arachneum Theater's discovered arch that looks bone-bright in the dark. The flora shifting into glass and lace, the ribboned river snagging rings, the lighthouse of pinned butterflies, all suggest rules that reward offering but punish assumption, and the mounting hunger of the Gate sets the stakes beyond one missing heir.

Sohana Das
2024-12-01

Isola Peregrine reads as a woman negotiating grief with craft, using tricks, pocket ash, and a stubborn kindness that refuses to be ornamental. Esmond's quiet, rule-bound worry balances her risk, and their conversations ache with restraint, like stage patter hiding confession. The Baroness is a study in velvet pressure, a patron whose generosity always narrows into leverage, and I loved how the book lets us question every favor.

Anthony Calder
2024-07-05

Featherstone's prose is tactile without clutter, all silk-snap, ash-smudge, and glinting glass. The sentences feel spun on a loom; the structure mimics warp and weft as chapters alternate between Dentrelle and the night-country's echoes.

Motifs recur like a practiced sleight, letting the illusionist narrator control what we notice and when. Scenes run a little long only where dread needs time to thicken, and even then the act break lands clean.

Mira Vell
2024-03-20

Featherstone threads a tense rescue through fog and rumor as Isola navigates Dentrelle's changing streets and the sideways-open Gate, and while a few turns linger in the mist, the storms, bargains, and final choice land with clean, eerie precision.

Generated on 2025-11-24 12:02 UTC