Beyond Concrete Dreams

Beyond Concrete Dreams

Contemporary · 312 pages · Published 2024-08-06 · Avg 2.2★ (6 reviews)

When Leena Patel returns to Newark's Ironbound to sell her late father's hardware store, she expects a quick appraisal and a flight back to her sleek Manhattan life. Instead, a flood-damaged basement, a box of Polaroids, and a stubborn old tape measure pull her into the neighborhood's fight against Orion Redevelopment. Drafting bridge sketches on deli napkins, she joins a scrappy city task force reimagining a riverside park under the I-78 overpass along the Passaic.

Leena collides with Dante Morales, a muralist who runs night classes at St. Lucy's rec center, and their designs braid load calculations with kids' paint-splattered dreams. As flood maps expose buried culverts and the beloved bakery "Pão Doce" faces eviction, loyalties splinter across block associations, council meetings, and kitchen tables. With a Midtown promotion on the line and her mother's visa paperwork unraveling, Leena must choose between a concrete future and a riskier foundation that might finally feel like home.

Amanda Sullivan grew up in Worcester, Massachusetts, and studied sociology and urban studies at the University of Vermont before earning an MFA from Rutgers–Newark. She has worked as a grant writer and policy researcher for housing nonprofits in Providence and Jersey City, experiences that inform her interest in infrastructure and the everyday lives it shapes. Her short fiction and essays have appeared in regional magazines and online journals, and she received a 2022 New Jersey State Council on the Arts fellowship in prose. She lives in Jersey City with her partner and a rescue dog named Coda, and leads community writing workshops.

Ratings & Reviews

Colin Adebayo
2025-09-18

Leena's measuring tape becomes a motif for the urge to quantify what will not hold still; every scene asks what is worth keeping.

The book keeps circling family paperwork, eviction notices, and buried culverts, pressing on the ache of choosing "a cemented future" over a messier belonging. It resonates even when the debate-club energy flattens the mood.

Rafael Teixeira
2025-05-22

Como retrato do Ironbound, o livro acerta nos detalhes do Passaic, do I-78 e do cheiro de pão quando a Pão Doce encara o despejo, mas muitas páginas soam como guia técnico de prefeitura. Os mapas de inundação e siglas ocupam o palco enquanto a rua fica de fundo, e a vizinhança aparece em flashes em vez de respirar.

Priya Menon
2025-02-10

Leena's caution reads as lived-in, her need to measure everything before she believes it both endearing and exasperating. Dante's warmth plays well against her angles, and the kids' messy enthusiasm loosens them. The dialogue sometimes slides into slogans, but the pair's small compromises feel human.

Hannah Ruiz
2024-12-01

Big-city architect returns home to fight Orion Redevelopment while juggling floods, visa trouble, and a flirtation, but the story meanders like the Passaic and wraps conflicts too neatly.

Jamal De Costa
2024-09-15

The prose toggles between lyric flashes and blueprint jargon, and the switch is jarring.

Chapters stack like proposals, each with a meeting, a sketch, a reveal of another culvert, and the rhythm grows predictable. It drove me up the wall because the material begs for more spontaneity.

POV wobbles when minor players step in for half a page then vanish, and key beats with Leena's mother are summarized rather than dramatized.

There are sparks in the deli napkin diagrams and in the kids speckled in paint, but the throughline keeps fraying and by the end my patience was spent.

Sylvia Tran
2024-08-20

I came for a neighborhood story and got a manual for committee meetings. The stakes are real, but the emotion keeps getting sidelined by process, and I felt strung along. NOPE.

  • Tape measure motif had promise
  • Some local color at the rec center
  • Overload of acronyms and process talk

Every council scene droned on, repeating the same talking points with slightly different speakers, and the romance felt stapled to the agenda.

By the third hearing scene I was begging for a jackhammer to break the monotony. This could have been fierce, but it felt dutiful and airless.

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