I am in awe of what this book makes visible. The worldbuilding here is geographic and legal, yet it thumps like a heartbeat: coastlines that move, maps that lag, people who live at the seam where story and statute meet.
Wellington lets the atmosphere do its own arguing. Salt glare off the lagoon, the sandy rasp of Shishmaref's streets, the silt a delta keeps shouldering into shape. Then he turns the camera to UNCLOS baselines and asks why a line on paper has to pretend the tide is quiet.
What raises the stakes is how he refuses abstraction. A village vote is not a symbol; it is a room, a clock, a ledger of storm dates, a grandmother with a memory of where the shore used to be. That specificity made my chest ache in the best way.
The technical passages sing. LIDAR swaths as choreography, satellite altimetry as a metronome for time, dredge models sketching futures nobody asked for. It reads like an atlas keyed to breath.
Urgent, humane, and dazzlingly clear, this is the rare nonfiction that recalibrates the instruments in your head and then hands you the courage to look.