Harmony of Lost Echoes

Harmony of Lost Echoes

Romance · 352 pages · Published 2024-07-18 · Avg 2.4★ (5 reviews)

Obligation. Grief. The quiet tyranny of memory. Iris Vale never wanted a spotlight; she wanted a steady room and a clean waveform. As a sound archivist in Brighton, she catalogues the dead and their voices. After a winter surge ruptures the seafront, a teak crate washes out from beneath the old Palace Pier, stencilled with "HERMIA, 1901". Inside: a brass metronome nicked with tiny strokes, cracked wax cylinders, a playbill from the Regent, a pressed cornflower, and a harmonograph drawing of curlicued loops. When Iris threads the first cylinder, she hears a lullaby threaded through the tick of the metronome—a melody only her vanished mother, once a magician's assistant, ever hummed. But Iris's own recall is a trapdoor; since the night the Saltdean cliffs punched her hearing and left her with hyperacusis, she trusts recordings more than memory—and she promised she would keep her teenage brother, Leo, safe.

To read the music's code, Iris turns to Noah Quinn, a designer of stage illusions who rebuilds Victorian acts for a touring show. He knows the grammar of misdirection and the mnemonics of conjurors; together, they reconstruct an antique illusion called the Echo Cabinet in a shuttered music hall off the Brighton Lanes. Their chemistry threads itself between trapdoors and cues. Iris cannot risk travel—noise puts her flat on the floor, and Leo's exams are weeks away—so Noah goes north to Edinburgh with a list of coordinates and a cipher keyed to the metronome's scars, searching the Caldow Collection and a ledger with tea-stained palimpsests. Iris tells him: "Keep your voice down. Hug the shadow of the walls. And for the love of God, don't palm anything that isn't yours."

In the wynds of Old Town, Noah enlists Eddie Pike, a silver-tongued mentalist who can't stop talking and won't stop flirting with trouble; in Soho, a private club called the Silver Circle whispers about the crate. Dr Selene Harrow, a memory scientist with immaculate gloves and an agenda, insists the cylinders can overwrite trauma if played in the right chamber. The pressed flower hides numbers; the harmonograph loops sketch the coast; the tick-tock cut marks map a sequence you can hear but not see. Each answer opens a false bottom.

A shadow begins to pace their edges. Anonymous texts. A keyed lock picked. Leo vanishes after leaving a note in the margin of his physics book. Smoke threads the Regent's rafters the night Iris dares the Echo Cabinet live. Water rises under the West Pier where the Angel's Steps surface at low tide like a scraped staff of music. Together, Iris and Noah will chart the route through silence and fog, decoding the score before tide and fire erase it—learning, at last, when to listen to the past and when to let it fade. And if they make it out, the harmony they've been chasing might be their own.

Victoria Parker is a British writer and former magazine features editor. Raised in Sheffield, she studied linguistics at the University of Edinburgh before spending a decade commissioning true-crime and culture features for a London weekly. Her short fiction has appeared in Ellery Queen's Mystery Magazine and Mslexia, and she was runner-up for the 2019 CWA Debut Dagger. Known for atmospheric, puzzle-laced suspense and meticulous research into stage magic, codes, and memory science, Parker lives in Brighton with her partner and an elderly whippet. She teaches evening workshops on narrative structure and volunteers with a coastal search-and-rescue charity.

Ratings & Reviews

Phoebe Rawal
2025-10-03

The book chases whether you can edit grief the way you edit a track, or if the only sane choice is to turn the volume down and walk away. Refrains like "Keep your voice down" and the metronome's nicked time try to braid obligation with desire, but the motif keeps restating instead of modulating.

The harmony never quite resolves.

Cormac Yeoh
2025-05-27

Brighton creaks and shivers here, from the storm-gnawed seafront to low-tide stairways under the West Pier. The shuttered music hall, the Regent, the Silver Circle, the wynds in Old Town, all feel plausibly haunted by tricks and recorded ghosts. The rules of memory chambers and stage misdirection mostly cohere, and the Angel's Steps imagery is eerie in the best way. I just wanted a few fewer anonymous texts and a little more sense of how the Silver Circle keeps a grip on anyone.

Lina Duarte
2025-01-11

Iris is best when she listens rather than explains, her accommodation of noise layered with small rituals that feel true. Noah is likable and gentle, but the flirtation leans on cue cards rather than sparks, and Eddie's chatter skims the same note.

Leo's presence should recalibrate every choice, yet he drifts offstage for long stretches, so the love story has to carry too much on its own.

Gareth M.
2024-09-15

The line-level writing hums with tactile soundwork: clicks, hiss, the hush before pain. Chapters braid archival notes, stagecraft lore, and travel entries, and the Echo Cabinet sections have a pleasing technical clarity. Yet momentum flags when the cipher solving repeats, and the final set pieces feel crowded by props. I admired the control of point of view even as the structure kept my pulse at a murmur.

Asha Collier
2024-08-02

A crate of wax voices promises a chase through Brighton but the investigation drifts between clues and coincidences. The romance lands softly while the metronome ticks louder than the plot.

Generated on 2025-12-04 12:03 UTC