Lectura sobria que mezcla crónica urbana con memoria barrial; por momentos me recordó a los apuntes callejeros de Lucia Berlin y al humor cívico de The Municipalists de Seth Fried. No siempre mantiene el pulso, pero cuando junta archivo, lluvia y banqueta, suena verdadero.
In Providence's Olneyville, grant writer Evan Cordeiro is hired to stitch together a pedestrian safety plan that fits a neighborhood like a good pair of shoes. Carrying a coffee-stained storm-drain map and a yellow clipboard, he follows bus routes, stoops, and alleyways with teen documentarian Nia Delgado and muralist Marisol Vega. As they count crossings and lean against the warm bricks of the Valley, Evan starts to hear the older plans humming underneath—blueprints that once promised speed, light, and a clean slate.
When a nor'easter floods Plainfield Street and exposes a buried culvert, their project collides with the city's archives: boxes of 1960s urban renewal schematics and eviction notices stamped with a tidy futurist logo. The team's small fixes—an orange cone, a curb cut, a bus shelter—begin to look like arguments against a century of erasure, even as political calendars and grant jargon press for quick wins. Echoes of Modernity follows Evan, Nia, and a choir of neighbors through budget hearings, kitchen-table meetings, and midnight sump-pump vigils, toward a fragile, shared map of how to stay.