Echoes of Modernity

Echoes of Modernity

Contemporary · 272 pages · Published 2024-08-13 · Avg 3.3★ (6 reviews)

In Providence's Olneyville, grant writer Evan Cordeiro is hired to stitch together a pedestrian safety plan that fits a neighborhood like a good pair of shoes. Carrying a coffee-stained storm-drain map and a yellow clipboard, he follows bus routes, stoops, and alleyways with teen documentarian Nia Delgado and muralist Marisol Vega. As they count crossings and lean against the warm bricks of the Valley, Evan starts to hear the older plans humming underneath—blueprints that once promised speed, light, and a clean slate.

When a nor'easter floods Plainfield Street and exposes a buried culvert, their project collides with the city's archives: boxes of 1960s urban renewal schematics and eviction notices stamped with a tidy futurist logo. The team's small fixes—an orange cone, a curb cut, a bus shelter—begin to look like arguments against a century of erasure, even as political calendars and grant jargon press for quick wins. Echoes of Modernity follows Evan, Nia, and a choir of neighbors through budget hearings, kitchen-table meetings, and midnight sump-pump vigils, toward a fragile, shared map of how to stay.

Phillips, Daniel (b. 1982) grew up in southeastern Massachusetts and studied urban studies at UMass Amherst before earning an MFA in fiction from the University of Michigan. He worked as a grant writer for housing nonprofits in Providence and Fall River, where he learned more than he expected about sidewalks, storm drains, and the people who live beside them. His short fiction and essays have appeared in New Ohio Review, Ninth Letter, and Kenyon Review Online. He lives in Providence, Rhode Island, with his partner and an elderly terrier, and volunteers with a neighborhood group advocating for more accessible, human-scaled streets.

Ratings & Reviews

Sofía Landa
2025-09-30

Lectura sobria que mezcla crónica urbana con memoria barrial; por momentos me recordó a los apuntes callejeros de Lucia Berlin y al humor cívico de The Municipalists de Seth Fried. No siempre mantiene el pulso, pero cuando junta archivo, lluvia y banqueta, suena verdadero.

Elise Gantt
2025-06-15

As a portrait of civic infrastructure in motion, the book maps bus routes, alley shortcuts, warm brick walls, and buried water with such attentive calm that the neighborhood feels like a living system, yet the stakes remain intimate and slow, more about staying than triumph.

Ralph Iyer
2025-04-08
  • Strong sense of place in Olneyville and the Valley
  • Too many meetings and acronyms dull the momentum
  • Stakes often told instead of felt in the middle stretch
  • Evan's quiet mode sometimes reads as passivity, muting the arc
Maya Trinh
2025-02-12

Evan works best as a listener, which is refreshing; he absorbs the neighborhood without pretending to rescue it. Nia's lens is curious and funny, often catching what adults miss, and Marisol's eye for surface and memory turns walls into conversations.

Dialogue pops with local cadence and gentle pushback. The trio's push and pull around what counts as a win feels honest, and the book lets them keep their edges even as they build a fragile coalition.

Owen Batista
2024-11-20

Craft-wise, this leans toward documentary realism: crisp scene notes, wayfinding details, and a restrained third person that occasionally slides into neighborhood chorus. The sentences are clean, sometimes clipped, sometimes sprawling when the policy language drifts in.

The structural rhythm is uneven. The early walking sequences are sharp and tactile, but the middle sags under repetitive hearing rooms and grant-speak. Still, the final movement clicks back into place as the archival thread tightens, and the closing pages echo the opening in a satisfying way.

Lena Quintero
2024-09-05

Wow. I loved how this book listens to streets like they are elders, how a coffee stain on a storm-drain map can feel like a fingerprint.

The nor'easter, the culvert, the dusty archives with their sleek midcentury logos all crash into the present until that old promise of speed and light starts to ring hollow. What we get instead is "a shared map of how to stay" drawn with cones, curb cuts, and patient bodies in crosswalks.

Evan, Nia, and Marisol make a trio I wanted to follow anywhere. Their conversations lean, pause, redirect, and suddenly you can hear the hum beneath the bricks. Counting crossings becomes a way to count each other.

The public meetings, the acronyms, the jitter of budget clocks should be dull, but here they shimmer with consequence. I kept cheering for every small fix, not because it solves everything, but because it refuses erasure in a place that has been told to start over too many times.

When I closed the book I wanted to step outside with a yellow clipboard and ask my block what it remembers. Tender, exact, and full of civic courage.

Generated on 2025-11-07 12:02 UTC